Minimalist Japandi painting of a woman meditating in lotus pose, eyes closed, in a white robe before a large sage-green circle on warm beige paper.

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YP-1XESPJ · October 13, 2026

Quiet Lotus(art print)

Japandi line and gouache wash
Lotus Pose · Padmasana

$109

Made as
Size, inches
Size, inches
Frame

Gallery-wrapped on a 1.25 in pine frame, ready to hang. The painting continues around the edges.

Museum-grade matte paper in a solid wood frame with a clear acrylic front. Hanging hardware included.

See it on a wall

Free shipping to the US, UK and Europe. Printed to order in 2-5 working days.

Canvas, paper and care

The canvas is a poly-cotton blend, hand-stretched over a 1.25 in pine frame with hanging hardware attached. The painting continues around the edges (a mirrored wrap), so the whole image stays on the front.

Framed prints use 189 gsm museum-grade matte paper behind a clear acrylic front, in a solid wood frame 0.75 in deep. Keep both out of direct sun and wipe with a dry cloth.

Shipping and returns

Shipping is included to the United States, the United Kingdom and the European Union; Canada, Australia, New Zealand and Switzerland pay a small difference shown in the cart.

Every painting is printed for you, so we cannot take back a change of mind, but anything damaged, misprinted or lost is replaced or refunded. Returns and damage

In the rooms

Quiet Lotus, at home

  1. Quiet Lotus hanging above the sofa
    01 Above the sofa
  2. Quiet Lotus hanging in a tea room
    02 In a tea room
  3. Quiet Lotus hanging over the bed
    03 Over the bed
  4. Quiet Lotus hanging by candlelight
    04 By candlelight
  5. Quiet Lotus hanging in the hallway
    05 In the hallway

On your wall

See it at true size

Room
Gallery with Quiet Lotus on the wallLiving room with Quiet Lotus on the wallBedroom with Quiet Lotus on the wallYoga room with Quiet Lotus on the wall
Drawn to scale: the size you pick, on a real wall

About the painting

About Quiet Lotus

She sits in Padmasana with her eyes closed and her hands resting on her knees, drawn with a single unhurried brush line. Behind her, a soft sage circle stands in for the sun, and the rest is open, warm paper.

The palette stays low and close: oat, sage and a little charcoal, so the painting settles into a room instead of taking it over. It suits a bedroom wall, a reading corner or the space above a meditation cushion.

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